How to Use GC America's One Body Concept Porcelain

Luke Kahng, CDT · Technical · Jan 2010

Restorative Problem

A male patient needed a maxillary bridge on teeth #9 to #11, with #10 as an ovate pontic. We had to match the A2 shade of existing crowns on #6 and #7, as well as the orange mamelon on natural tooth #8 (which was accomplished with the LSK121 Chair Side Shade Selection Guide as shown below).

Treatment Plan Like most technicians, I've always used the multi-layering technique for anterior teeth. But for this case, I decided to try GC's One Body Concept, which is a one-color porcelain build-up system that doesn't require enamel translucency build-up (see below for details). Natural translucency and mamelon are replicated with the addition of Lustre Paste, which has a thicker consistency and is baked at a lower temperature over the One Body color application, so a layering effect is created.

About the One Body Concept Like most technicians, I've always used the multi-layering technique for anterior teeth, but the new GC Initial IQ One Body Concept provides another option for porcelain-fused-to-metal restorations. Compatible with conventional porcelain alloys, the system allows you to reproduce standard Vita® shades with one layer; you build up the body with one porcelain powder and create enamel translucency and mamelon with the addition of GC Initial IQ Lustre Paste stains. The Lustre Paste has a thick consistency and, once it's baked at a low temperature over the body application, creates a layering effect. There is no enamel porcelain in the system because it's not needed to match traditional shade guides.

This concept saves time while producing accuracy and fewer remakes due to shade problems. It's also a helpful tool for beginner ceramists, who can spend less time applying porcelain and achieve the same results as if they had spent hours working on the restoration. While learning to perfect their technique, the system gives them the confidence to carry out anterior work without worry.

I prefer a traditional layering technique when dealing with custom shades or when I have the information to help recreate the multiple colors found in a patient's natural tooth. However, the One Body Concept is an ideal solution for cases when I need to match a pre-existing restoration or when the doctor simply offers one shade on the Rx. With this in mind, we can decide on a case-by-case basis which technique will work best.

For more information on the One Body Concept, contact GC America at 800-323-7063 or visit http://www.gcamerica.com">www.gcamerica.com.

© 2013 LMT Communications, Inc. · Articles may not be reprinted without the permission of LMT

Step-By-Step
  • The restoration had to match the A2 shade of existing crowns on #6 and #7, as well as the orange mamelon on natural tooth #8 (which was accomplished with the LSK121 Chair Side Shade Selection Guide).

  • Since tooth #9 had to match the natural color, translucency and mamelon of #8, I used a BO opaque background color—bright white—to match the gingival and body third of the tooth. However, I opaqued teeth #10 and #11 using A-2 to match the crowns on #6 and #7.

  • Since tooth #9 had to match the natural color, translucency and mamelon of #8, I used a BO opaque background color—bright white—to match the gingival and body third of the tooth. However, I opaqued teeth #10 and #11 using A-2 to match the crowns on #6 and #7.

  • I used an A-colored powder on #11 and #10.

  • For proper size and dimension, I cut through the interproximal area between teeth #9 and #10.

  • Post firing, the appearance of the restorations on the cast model is slightly shiny. I drew pencil marks on the surface of the restoration and then followed those marks with a bur to create texture.

  • To create mamelon and translucency, I applied Initial IQ LA (A Color Zone) and LD (D Color Zone) to the incisal third of all units.

  • To match the A-2 color of the patient’s existing crown, I also added LA color in the gingival third of #10 and #11.

  • The final appearance before firing is slightly shiny.

  • After firing at 780º C with a one-minute hold time and no vacuum, the restorations are placed on the cast model for inspection.

  • During try-in, we noted that incisal mamelon color modification was needed for tooth #9. Using the LSK121 Chair Side Shade Selection Guide, we identified the incisal color that would best match natural tooth #8.

  • After modification, the final restorations were seated.

About the Author
Luke Kahng, CDT

Owner

Luke S. Kahng, CDT, is the owner of LSK121 Oral Prosthetics, a laboratory in Naperville, IL. In addition to being a board member for several dental publications, he has published more than 100 articles...See more

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